Competition Project 2015
Statement
Bauhaus
City proposes a dynamic programmatic organization of a museum that brings
together the exhibitions of the Bauhaus archive and the urbanity of Dessau into
one single architectural gesture. Making a direct link between the historical
fragments of Bauhaus and the overall impact of modernity in Dessau’s urban
archeology, the proposal moves beyond the need to construct a building and
instead suggests the clustering of an urban curatorial apparatus within the
explicit frame of a rectangular porous envelope. The Bauhaus Museum performs as
a cultural city within the city of Dessau.
Concept/Urban
Presence
The
proximity of the site with the train station and its position on the edge
between the City Park and the center of Dessau, generates the question of whether
the Bauhaus Museum should perform as an urban structure that opens to the city
or as a landscape pavilion that is integrated in the park. We propose a museum
building that is itself organized as a small city within a strict urban frame
that produces solids and voids. The orthogonal, perimetric concrete walls of
the museum’s frame, define various open courtyards and specific programmatic
rooms that eventually open both to the park and the city. Framing itself, the
park and the city, the explicit envelope of the museum reverses the common
design rule of urban sprawl that has worldwide produced shapeless cities
through the course of modernism. Instead, the definition of a strict form of
the limit and the intentional development of a dense programmatic articulation
within the walls, makes Bauhaus city perform as an urban entity that relates to
its context and welcomes the visitors as the first station to make once
arriving in Dessau, before the actual visit to the Bauhaus School building and
the Masters’ Houses.
Plan/Organization
The
longitudinal plan of the project is organized in clear zones that are divided
by the urban courtyards connecting the park with the city. The main corpus of
the exhibition program is placed in the center of the plot, the public program
in the north part (facing south) and the technical spaces in the south (adjacent
to the exhibition spaces). Both public program and exhibition spaces share a
large open courtyard and are interconnected by a transparent diagonal volume
that houses the visitors’ center and provides the exclusive access to the
exhibition. Placed in the center of the plot, the exhibition spaces are
completely separated and secured from the rest of the program, however
performing as a massive interior micro-city of 2.100m2 column-free space, in
which maximum flexibility and efficiency is provided for any curatorial need to
combine the permanent and the temporary exhibition spaces of the museum. The
logistics, loading, storage and technical spaces are positioned in the south
side of the exhibition hall. All along both of the long sides of the exhibition
hall there are hidden corridors for the staff to have direct access to all the
different exhibition rooms.
The
entrance to the exhibition hall is provided directly by the visitors’ center on
the north side, which is accommodated inside a light glass diagonal volume
positioned in the middle of a large courtyard and the main entrances to the
museum from the city and from the park (group access). The workshop spaces,
events and cafĂ© are positioned on the other side of the visitors’ center and
are opening to the courtyard, the city and the framed garden respectively. The
gathering of all the public program around the central courtyard of the museum
suggests essentially a condensed cluster for socializing, cultural production and
encounters.
Section/Technical
Aspects
On both the
North and the South sides of the building envelope, the porous walls define
public spaces, with the possibility to extend beyond the competition site and
create a well defined plaza and formal entrance to the park around the circular
fountain. All the program of the museum is positioned on the ground floor, in
order to establish the closest proximity to the city park and to perform in a
continuum with the urban fabric. The section of the Museum consists of single
and flat horizontal floor/volume, that organizes indoor exhibition rooms,
outdoor public activities and urban voids on the two dimensions of the plot on
the street level.
Maximum
efficiency and flexibility is provided by the generic open plan articulation of
the exhibition hall and the perimetric controlled corridors. The roof is flat
to give possibility for green to compensate the footprint of the building. All
the technical spaces are positioned inside the volume of the logistics, and the
machines of the ventilation and air conditioning are place on its roof.
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